My artwork physically tracks human behavior and traffic patterns using quasi-scientific, homespun, reactive sculptures. I use sensors to pick up on people’s energy and movement throughout a space. My work exists as amplifications of this subtle energy, creating unconventional, complex portraits of people and spaces. For example: kinetic links of a centipede-like creature respond individually to create a live mutating curve. Robotic, rainbow colored gel pens selectively record human traffic patterns. Personalities captured by subtle head movements are frozen in rapid-prototyped sculptures.

The work functions in a way that is similar to many quasi-scientific devices like aura cameras and mood rings. These displays exist on the fringes of both science and art, yet to be taken seriously by either. The realization of each piece inevitably sets up a study. Action within the sprawling electronic systems of brains and guts creates a force to react against as the piece simultaneously responds back in a cyclical, chaotic nature.